OUR LADY OF GUADALUPE: A TALE OF MIRACULOUS APPARITIONS
The veneration of Our Lady of Guadalupe holds profound significance within Mexican history and the Catholic Church, stemming from the miraculous event where the Virgin Mary appeared to Juan Diego near Mexico City in 1531. This extraordinary occurrence sparked intense devotion to the Madonna of Guadalupe among both the Mexican populace and within the Catholic Church.
Unveiling the Apparition's Tale
The origins of this apparition trace back to the period between 1428 and 1521 when the Aztec Empire flourished in central Mexico, consolidating three city-states. In 1521, the conquest of the Aztec capital by Hernán Cortés and the Spaniards marked the advent of New Spain. Subsequently, Franciscan missionaries arrived with the aim of disseminating the Gospel among the natives, initially met with skepticism but ultimately resulting in the conversion of select indigenous individuals, including Juan Diego.
It was on December 9, 1531, atop the hill of Tepeyac, where Juan Diego's life underwent a transformative event. Standing before him was a resplendent woman—none other than the Virgin Mary—adorned with dark skin and cascading black tresses. Tenderly, in his native Nahuatl tongue, Mary addressed Juan as "Juanito, Juan Dieguito," entreating him to erect a church in her honor at the site of her apparition. However, the bishop demanded a miraculous sign from Juan as validation prior to endorsing the construction of the church.
Returning home, Juan once again encountered the Madonna at the same spot as the initial apparition. He relayed the bishop's reluctance to accept the request and even suggested choosing someone else. However, the Virgin reiterated that Juan was the chosen one and commanded him to revisit the bishop to convey her message.
The Miracle of the Roses and the Miraculous Image
Upon revisiting the bishop, Juan recounted the Virgin Mary's appearance for the second time. This instance, the bishop appeared more receptive, urging for evidence of her presence. The Madonna agreed and instructed Juan to return the following day. Yet, Juan faced an impediment as his uncle fell gravely ill, compelling him to seek a priest for the last rites. In that critical moment, the Virgin Mary appeared once more, assuring him of his uncle's recovery and instructing him to journey to a hill where roses bloomed out of season. Obeying her directive, Juan gathered the roses in his cloak (tilma), and the Virgin arranged them meticulously. She then instructed him to present the roses to the bishop. When Juan unfurled his tilma before the bishop, the roses cascaded, revealing the immaculate image of the Madonna imprinted on the garment.
Our Lady of Guadalupe's Church
Following the apparition, the bishop oversaw the construction of a chapel at the site, which was later replaced by a larger one in 1557. Subsequently, a sanctuary was consecrated in 1622, culminating in the inauguration of the current Basilica of Our Lady of Guadalupe in 1976. Inside this sacred space, Juan Diego's tilma is carefully preserved, showcasing the image of Mary depicted as a young indigenous woman—adoringly referred to by devotees as "Vergine morenita" (Little Brown Virgin) due to her dark complexion.
In a distressing event in 1921, Luciano Perez, an assailant dispatched by the government, concealed a bomb within a bouquet of flowers positioned at the altar's base. The resultant explosion caused damage to the basilica but miraculously left the tilma and its protective glass unharmed.
The Shrine of Our Lady of Guadalupe stands as the most frequented Marian sanctuary globally. Both the Tilma and its revered image remain preserved to this day. From this miraculous sign, a harmonious blend of Aztec heritage and Christian faith has emerged.
The Guadalupe apparition holds official recognition from the Catholic Church, and the canonization of Juan Diego took place on July 31, 2002, by Pope John Paul II. Catholics venerate the Madonna of Guadalupe as the patroness and queen of Spanish-speaking peoples, particularly those from the American continent. Her feast day is celebrated on December 12, marking the final apparition.
Influence on Society and Culture
The Tilma of Our Lady of Guadalupe is deemed a genuine miracle: fashioned from two agave fiber cloths, it has endured nearly 500 years without deterioration. The image itself displays no evidence of human brushstrokes, and intriguingly, the eyes reflect the figure of the kneeling bishop. This remarkable phenomenon has deeply impacted the spiritual realm of the natives, fostering acceptance of the Gospel brought forth by Spanish missionaries. The Madonna emerged as an evangelizer, advocating for familial treatment of the indigenous people by the Spaniards.
Acknowledged as the patroness of Mexico City in 1737 and subsequently of all New Spain territories in 1746, she has earned recognition from various popes as the patroness of Latin America and the Philippines. Her reverence, particularly among women, has been disseminated worldwide by the Jesuits.
Presently, the Basilica housing this revered image remains a pivotal pilgrimage destination and a wellspring of inspiration, especially within Mexico. The tilma of San Juan Diego, sent as a missionary by God through his mother, continues to stand as a living miracle, conveying the message of the Blessed Virgin Mary across the centuries.
Divine Mercy: Jesus, I Trust In You.
In 1931, our Lord appeared to St. Faustina in a vision. She saw Jesus clothed in a white garment with His right hand raised in blessing. His left hand was touching His garment in the area of the Heart, from where two large rays came forth, one red and the other pale. She gazed intently at the Lord in silence, her soul filled with awe, but also with great joy. Jesus said to her:
Paint an image according to the pattern you see, with the signature: Jesus, I trust in You. I promise that the soul that will venerate this image will not perish. I also promise victory over [its] enemies already here on earth, especially at the hour of death. I Myself will defend it as My own glory (Diary, 47, 48). I am offering people a vessel with which they are to keep coming for graces to the fountain of mercy. That vessel is this image with the signature: Jesus, I trust in You (327). I desire that this image be venerated, first in your chapel, and [then] throughout the world (47).
At the request of her spiritual director, St. Faustina asked the Lord about the meaning of the rays in the image. She heard these words in reply:
The two rays denote Blood and Water. The pale ray stands for the Water which makes souls righteous. The red ray stands for the Blood which is the life of souls. These two rays issued forth from the depths of My tender mercy when My agonized Heart was opened by a lance on the Cross. Happy is the one who will dwell in their shelter, for the just hand of God shall not lay hold of him (299). By means of this image I shall grant many graces to souls. It is to be a reminder of the demands of My mercy, because even the strongest faith is of no avail without works (742).
These words indicate that the Image represents the graces of Divine Mercy poured out upon the world, especially through Baptism and the Eucharist.
Many different versions of this image have been painted, but our Lord made it clear that the painting itself is not what is important. When St. Faustina first saw the original image that was being painted under her direction, she wept in disappointment and complained to Jesus: "Who will paint You as beautiful as You are?" (313).
In answer, she heard these words: "Not in the beauty of the color, nor of the brush lies the greatness of this image, but in My grace" (313).
Life of Saint Benedict
The future, “Father of Monks,” was born in 480 A.D. at Norcia, about 70 miles from Rome. At a young age he left his studies at Rome in pursuit of a life of sanctity and spiritual perfection. He soon settled in the remote area of Subiaco and lived in a cave for three years under the direction of a hermit named Romanus.
After the death of Romanus, Benedict accepted the invitation of some nearby monks to be their abbot. The monks, however, were quite wayward and would not take the counsels of Benedict and conspired to poison him. Saint Benedict suspecting their evil intent blessed the goblet of poisoned wine offered him, whereupon it shattered. He then went back into his solitude for a short period of time.
At the age of 31, he began founding monasteries and by the age of 39 there were twelve monasteries to his credit. The most renowned is Montecassino where he wrote for his monks a rule somewhat tempered from the severity of Eastern Monasticism. The “Rule of Saint Benedict” became the norm for all Western Monasticism and is still practiced today by Benedictines the world over. The Benedictine Order has given the Church over 57,000 known saints and 35 popes, of whom 17 are Saints or Blesseds.
Saint Benedict’s twin sister, Saint Scholastica, founded an order for nuns based on the same rule of life. While praying one day, Saint Benedict saw in a vision the death of his sister and her soul rising toward Heaven in the form of a dove. She died on February 10, 543 A.D., 40 days before his death on March 21st. They are both buried in the Cathedral of Montecassino. Pope Saint Gregory the Great-a Benedictine-wrote the life of Saint Benedict. For more on the life of Saint Benedict, click here.
The Medal of Saint Benedict
We do not know just when the first medal of St. Benedict was struck. At some point in history a series of capital letters was placed around the large figure of the cross on the reverse side of the medal. For a long time the meaning of these letters was unknown, but in 1647 a manuscript dating back to 1415 was found at the Abbey of Metten in Bavaria, giving an explanation of the letters. They are the initial letters of a Latin prayer of exorcism against Satan, as will be explained below.
The Jubilee Medal of Montecassino
The above features were finally incorporated in a newly designed medal struck in 1880 under the supervision of the monks of Montecassino, Italy, to mark the 1400th anniversary of the birth of St. Benedict. The design of this medal was produced at Saint Martin’s Archabbey, Beuron, Germany, at the request of the prior of Montecassino, Very Rev. Boniface Krug OSB (1838-1909). Prior Boniface was a native of Baltimore and originally a monk of St. Vincent Archabbey, Latrobe, Pennsylvania, until he was chosen to become prior and latter archabbot of Montecassino.
Since that time, the Jubilee Medal of 1880 has proven to be more popular throughout the Christian world than any other medal ever struck to honor St. Benedict.
Description of the Jubilee Medal
Because the Jubilee Medal of 1880 has all the important features ever associated with the Medal of St. Benedict, the following description of this medal can serve to make clear the nature and intent of any medal of St. Benedict, no matter what shape or design it may legitimately have.
On the face of the medal is the image of Saint Benedict. In his right hand he holds the cross, the Christian’s symbol of salvation. The cross reminds us of the zealous work of evangelizing and civilizing England and Europe carried out mainly by the Benedictine monks and nuns, especially for the sixth to the ninth/tenth centuries.
Rule and Raven
In St. Benedict’s left hand is hisRule for Monasteries that could well be summed up in the words of the Prolog exhorting us to “walk in God’s ways, with the Gospel as our guide.” On a pedestal to the right of St. Benedict is the poisoned cup, shattered when he made the sign of the cross over it. On a pedestal to the left is a raven about to carry away a loaf of poisoned bread that a jealous enemy had sent to St. Benedict.
C. S. P. B.
Above the cup and the raven are the Latin words: Crux s. patris Benedicti (The Cross of our holy father Benedict). On the margin of the medal, encircling the figure of Benedict, are the Latin words: Eius in obitu nostro praesentia muniamur! (May we be strengthened by his presence in the hour of our death!). Benedictines have always regarded St. Benedict as a special patron of a happy death. He himself died in the chapel at Montecassino while standing with his arms raised up to heaven, supported by the brothers of the monastery, shortly after St. Benedict had received Holy Communion.
Monte Cassino
Below Benedict we read: ex SM Casino MDCCCLXXX (from holy Monte Cassino, 1880). This is the medal struck to commemorate the 1400th anniversary of the birth of Saint Benedict.
On the Back of the medal, the cross is dominant. On the arms of the cross are the initial letters of a rhythmic Latin prayer: Crux sacra sit mihi lux! Nunquam draco sit mihi dux! (May the holy cross be my light! May the dragon never be my guide!). In the angles of the cross, the letters C S P B stand for Crux Sancti Patris Benedicti (The cross of our holy father Benedict).
Peace
Above the cross is the word pax (peace), that has been a Benedictine motto for centuries. Around the margin of the back of the medal, the letters V R S N S M V – S M Q L I V B are the initial letters, as mentioned above, of a Latin prayer of exorcism against Satan: Vade retro Satana! Nunquam suade mihi vana! Sunt mala quae libas. Ipse venena bibas! (Begone Satan! Never tempt me with your vanities! What you offer me is evil. Drink the poison yourself!)
Use of the Medal
There is no special way prescribed for carrying or wearing the Medal of St. Benedict. It can be worn on a chain around the neck, attached to one’s rosary, kept in one’s pocket or purse, or placed in one’s car or home. The medal is often put into the foundations of houses and building, on the walls of barns and sheds, or in one’s place of business.
The purpose of using the medal in any of the above ways is to call down God’s blessing and protection upon us, wherever we are, and upon our homes and possessions, especially through the intercession of St. Benedict. By the conscious and devout use of the medal, it becomes, as it were, a constant silent prayer and reminder to us of our dignity as followers of Christ.
The medal is a prayer of exorcism against Satan, a prayer for strength in time of temptation, a prayer for peace among ourselves and among the nations of the world, a prayer that the Cross of Christ be our light and guide, a prayer of firm rejection of all that is evil, a prayer of petition that we may with Christian courage “walk in God’s ways, with the Gospel as our guide,” as St. Benedict urges us.
A profitable spiritual experience can be ours if we but take the time to study the array of inscriptions and representations found on the two sides of the medal. The lessons found there can be pondered over and over to bring true peace of mind and heart into our lives as we struggle to overcome the weaknesses of our human nature and realize that our human condition is not perfect, but that with the help of God and the intercession of the saints our condition can become better.
The Medal of St. Benedict can serve as a constant reminder of the need for us to take up our cross daily and “follow the true King, Christ our Lord,” and thus learn “to share in his heavenly kingdom,” as St. Benedict urges us in the Prolog of his Rule.
Special Use of the Medal
By a decree of the Sacred Congregation of Rites (6 March 1959), the Blessing of Saint Maur over the sick is permitted to be given with a Medal of St. Benedict instead of with a relic of the True Cross, since the latter is difficult to obtain.
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